By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) There are times when a single performance rises above all others within a given production. While these times are rare, when they occur, they are noteworthy. Generally, they signal that the performer in question has achieved a luminary status that will forever mark them as a significant […]
By ANNE SIEGEL (Ashland, OREGON) – Water by the Spoonful is perhaps even more relevant today than when it was staged at the Oregon Shakespeare Festival in 2014. The play initially appeared at the complex’s intimate Thomas Theatre, under the smart direction of Shishir Kurup. It was filmed in front of a live audience. Written […]
![Angela's Ashes 1[2]](http://www.theatrecriticism.com/wp-content/uploads/2021/09/Angelas-Ashes-12-1024x379-300x225.jpg)
By AARON KRAUSE A story that is ripe with rich, raw, and real emotion is often a tale worth musicalizing. Certainly, Frank McCourt’s award-winning memoir, “Angela’s Ashes,” is a work that fits into that category. Fortunately, composer/lyricist Adam Howell, and librettist Paul Hurt saw the musical possibilities in McCourt’s self-described “epic of woe,” a best-seller […]
By ANNE SIEGEL SPRING GREEN, WI. – This summer, while audiences were flocking to the large, outdoor theater to view Shakespeare under the stars, another small miracle was taking place inside the intimate (200-seat) Touchstone Theatre. American Players Theatre (APT), which operates these two venues, welcomed far smaller crowds to see An Iliad. The APT […]