By ANNE SIEGEL NEW YORK – It’s just an off-Broadway memory now, but the recently exited India Pale Ale gave audiences some serious issues to consider. India Pale Ale was written by 32-year-old Punjabi-American playwright Jaclyn Backhaus. The play won this year’s Horton Foote Prize, and Manhattan Theater Club launched the play on October 23. […]
By AARON KRAUSE NEW YORK, N.Y.– Yes, that really is a live goat on stage. It’s leading its handler toward the audience in the astonishing, breathtaking, visually enthralling, vivacious, but most importantly, healing and life-affirming, current Tony-winning revival of the Lynn Ahrens and Stephen Flaherty musical Once On This Island. In fact, the animal’s owner […]
By ALAN SMASON For those of you living under a rock, King Kong opened on Broadway last Thursday (Nov. 8) and, as one would expect, most every critic panned the newest addition to the Great White Way as being shallow or lacking in theatrical achievement in song and dance. In many ways they are right. […]
By EDWARD RUBIN If you want a bit of theatrical heaven, along with a smidgen of hell, a mini primer of late 60s gay history – with the obligatory nod to Stonewall included – and a lot of love, all both literally and figuratively, get thee to Midnight at the Never Get, the York Theater […]
By HERBERT SIMPSON Despite already having knocked people out in splendidly acted versions, this important and enormously appealing play seems to be moving to “National Treasure” status in ever-more-polished versions. Geva’s has nowhere to go after its just-opened, new production, which closes November 16 and will probably sell out. But this one-actor account of the […]
By AARON KRAUSE CORAL GABLES, Fla. — If you wanted to write a truly satiric, but apropos commercial for Joshua Harmon’s unapologetically satiric, scorching play, Admissions, the advertisement might read something like the following: This is affirmative action and white, privileged, albeit liberal guilt on illegal drugs, alcohol as well as prescription drugs…all swallowed together. Then, […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) When we last viewed Torvald and Nora Helmer in Henrik Ibsen’s immortal play A Doll’s House, Nora had made an irreconcilable decision. Simply put, she wanted more from life than being a wife and mother. Her purpose was to become “a human being” and not be defined by […]
By EDWARD RUBIN The Irish Repertory Theatre’s production of Wild Abandon, Lyeena Rideout’s intimate one-woman autobiographical extravaganza – housed in the Rep’s second theatre, a cozy 50-seater – is one of a handful of Off-Broadway plays that everybody is talking about. Critics are raving, and audiences are returning again and again with friends in tow, […]
By AARON KRAUSE MIAMI, Fla. — Up is down and right is wrong. It’s a phrase that could describe today’s topsy-turvy world. But in playwright Michael McKeever’s bold and imaginative re-thinking of Dracula, Bram Stoker’s 1897 Gothic horror novel, the phrase describes a quite favorable world. That is, if you’re progressive and care about causes such as equality. […]
By EDWARD RUBIN “The ideal subject of totalitarian rule is not the convinced Nazi or the dedicated Communist, but people for whom the distinction between fact and fiction (i.e. the reality of experience) and the distinction between the true and the false (i.e. the standards of thought) no longer exist.” – Hannah Arendt (1906-1975) Thinking […]