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Complex, relatable Precious Little succeeds in a big way at Thinking Cap Theatre
![Precious Little 2[1]](http://www.theatrecriticism.com/wp-content/uploads/2019/05/Precious-Little-21-1024x446-300x225.jpg)
By AARON KRAUSE FT. LAUDERDALE — Awww, isn’t it cute how the little monkey with sad, puppy-dog eyes is sucking on a pacifier? It’s just precious! Surely, you can’t miss the image on the cover of Thinking Cap Theatre’s program for its current, impressive production of the odd, yet intriguing and relevant play, Precious Little. But […]
Cleavant Derricks stars in Geva world premiere of ‘Revival: The Resurrection of Son House’
By HERBERT W. SIMPSON It seems that Geva Theater Center’s long devotion to creating a worthy theater piece devoted to the history of Son House has reached a temporarily completed form in this rich, complicated show that dazzled the opening night audience. Geva commissioned the work more than four years ago, and at this point […]
Golabek’s ‘Pianist of Willesden Lane’ is a deeply personal journey, concert
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) Just before every performance of The Pianist of Willesden Lane, the one-woman play based on the book she wrote with Lee Cohen (“The Children of Willesden Lane”), Mona Golabek holds onto a Star of David that hangs from her necklace. As she grasps the golden artifact (which […]
California company receives 2019 Regional Theatre Tony
By AARON KRAUSE He is entering his 50th and final season as TheatreWorks Silicon Valley’s Artistic Director and has garnered many awards for his work with the Bay Area company. And to top off Robert Kelley’s five decades at its helm, one of the longest of any professional regional theater, the founding artistic director recently […]
Geva Center Theater’s ‘The Royale’ simple, yet stunning
By HERBERT W. SIMPSON Virtually all of our leading contemporary repertory theaters now include non-traditional experimental techniques in staging not only original new work but also – even especially – to perform and reconsider revivals of historic classics. Canada’s great Stratford Festival now regularly gives us Shakespeare revivals with actors playing characters of the opposite […]
Foxworth, McCoy lead stunning ‘Suddenly Last Summer’
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) When co-artistic directors Augustin Correro and Nick Shackleford founded the Tennessee Williams Theatre Company four years ago, they insisted their intent was to bring the collected works of their namesake playwright to New Orleans stages with emphasis on his more obscure and lesser-performed titles in addition to the mainstays […]
Adaption of Williams’ ‘Baby Doll’ now on stage at Le Petit
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“). Playwright, author and poet Tennessee Williams wrote his one-act play 27 Wagons Full of Cotton in 1946. He was still living in New Orleans in the 600 block of St. Peter Street, only two buildings down from the present site of Le Petit Theatre du Vieux Carré. […]
Sutton soars in ‘A Raisin in the Sun’ at Ashé Power House Theater
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) By the time Lorraine Hansberry died in 1965 at the tender age of 34 from pancreatic cancer, she had already made history. Her award-winning play, A Raisin in the Sun, about an African-American family attempting to move out of a redlined slum and into a well-to-do white neighborhood was […]
Cast remains buoyant in Williams’ ‘Small Craft Warnings’
By ANNE SIEGEL MILWAUKEE, WI. – A small but energetic theater company, Off the Wall Theatre, has produced a memorable production of one of Tennessee Williams’ later works, Small Craft Warnings. This rarely-produced work received lukewarm response when it opened Off-Broadway in 1972. At that time, Williams was 60 and feeling very aware that he […]