By AARON KRAUSE Certainly, six years ago, “This too shall pass” carried the same meaning as it does today. But oh, how we yearn to believe a speaker of those words in this age of COVID-19. And so, when a character from Stephen Karam’s award-winning play, The Humans, utters the aforementioned phrase in a reassuring tone, the […]
By BILL HIRSCHMAN For even those who only knew Herbert Simpson in passing, likely what they remember was his voice – usually deep and sonorous, a bit scratchy, but brimming with passion. They remember his voice because Simpson, the critic and educator who died Sunday, November 24, never passed on a chance to hold forth […]
By HERBERT W. SIMPSON It seems that Geva Theater Center’s long devotion to creating a worthy theater piece devoted to the history of Son House has reached a temporarily completed form in this rich, complicated show that dazzled the opening night audience. Geva commissioned the work more than four years ago, and at this point […]
By HERBERT W. SIMPSON Virtually all of our leading contemporary repertory theaters now include non-traditional experimental techniques in staging not only original new work but also – even especially – to perform and reconsider revivals of historic classics. Canada’s great Stratford Festival now regularly gives us Shakespeare revivals with actors playing characters of the opposite […]
By HERBERT SIMPSON Despite already having knocked people out in splendidly acted versions, this important and enormously appealing play seems to be moving to “National Treasure” status in ever-more-polished versions. Geva’s has nowhere to go after its just-opened, new production, which closes November 16 and will probably sell out. But this one-actor account of the […]
By HERBERT SIMPSON I wondered how the old love-rock musical would play these days for an audience of younger folk unfamiliar with Hippie rebellion, flower children, 60s rock music, and a more feminine long-hair style and slovenly tie-dyed clothes-styles. For that matter, I wasn’t so sure how the now-rather-old folks, mostly more establishment, would regard […]
By AARON KRAUSE EAST HADDAM, Conn. — Goodspeed Musicals’ impressive production of Lionel Bart’s Oliver! isn’t shrouded in darkness and dismay. But, make no mistake: This mounting is unlike the buoyant, multi-award-winning 1968 film adaptation of Charles Dickens’ novel, Oliver Twist. Rather, Goodspeed’s version, like David Lean’s 1948 noirish, severe, non-musical film version, more vividly communicates the […]