By AARON KRAUSE BOCA RATON — Before Lin-Manuel Miranda there was Meredith Willson. Sure, Miranda’s bold use of non-traditional musical genres in Hamilton may have changed the way writers create musicals. But in the late 1950’s, theater audiences and professionals probably thought that the late, multi-talented Willson’s creative use of song in The Music Man was just as revolutionary. […]
By BILL HIRSCHMAN For even those who only knew Herbert Simpson in passing, likely what they remember was his voice – usually deep and sonorous, a bit scratchy, but brimming with passion. They remember his voice because Simpson, the critic and educator who died Sunday, November 24, never passed on a chance to hold forth […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out”) Smartly and deftly written by Karen Zacarías, Native Gardens is a dark comedy, but one that is at its very core, extremely funny. Given the particularly volatile political climate in contemporary America, Zacarías scores by highlighting specific areas where differences in cultures and age clash most. She […]
By ANNE SIEGEL It has been a long wait, but the people of southeast Wisconsin finally get to be in the room where it happens. Hamilton has arrived. And what a reception it’s getting. The mostly sold-out performances in this three-week run offer a top-ranked professional tour, which is also visiting two other Wisconsin cities […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) There’s a point late in David Mamet’s script for November, a comedy written more than a decade ago, when the “i-word” is mentioned. It’s spoken by the character of President Charles Smith as he muses that he always thought he would be remembered for something. The line […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) NEW ORLEANS – It has become almost fashionable for many in the theatre world to find disfavor with the final collaboration between Richard Rodgers and Oscar Hammerstein II, The Sound of Music, The almost antiseptic manner in which the vile anti-Semitic Nazis are addressed in the book […]
By AARON KRAUSE WEST PALM BEACH — Brutal reality shatters sensitivity, fragility and illusion with the force of a monster hurricane in the professional, non-profit Palm Beach Dramaworks’ highly intense, heartfelt and heartbreaking production of A Streetcar Named Desire. To be sure, in this first-rate mounting of Tennessee Williams’ Pulitzer Prize-winning masterpiece, Stanley Kowalski (an […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) NEW ORLEANS – The NOLA Project began its tentative life as a New Orleans-based production company almost 15 years ago with The Cripple of Inishmaan by Martin McDonagh. This dark comedy staged days before Hurricane Katrina made landfall was part of the trilogy of plays that included […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) When President Dwight David Eisenhower was interviewed by historian Stephen Ambrose for his eventual official biography “Eisenhower: Soldier and President,” he made a startling statement. “Andrew Higgins was the man that won the war for us,” Eisenhower claimed, “because we had no boats anywhere at the outset […]
By ROY BERKO Suzan-Lori Parks, Lynn Nottage and Tonya Barfield are noted as emerging African-American playwrights. Another member of that sorority is the award-winning Dominique Morisseau, the author of “The Detroit Project,” a three-play cycle which includes The Skeleton Crew, Detroit ’67 and Paradise Blue. The third in the cycle by the MacArthur Genius Award […]