By AARON KRAUSE WILTON MANORS, Fla. — “I will obliterate those who oppress and repress people they do not understand,” the ambitious, young, wide-eyed, if a bit naïve, man proclaims confidently. “And I will seek justice for those who’ve been marginalized by society.” If you think such a person sounds like someone sorely needed in […]
By AARON KRAUSE MARGATE, Fla. — As you hear his one-liners zing from the mouth of one character to the ear of another, a sense of serenity and amusement envelops your body. Suddenly, fears of nuclear attacks and terrorist plots escape your body like tension from tight shoulders following a refreshing, deep-tissue massage. A sense of […]
FT. LAUDERDALE — In the wake of last Saturday’s white supremacist rally and destruction in Virginia, New City Players’ production of Sam Shepherd’s True West serves as a striking example of art reflecting a terrifying reality that seems surreal. One scene bears a frightening similarity to the kind of force and violence a shocked nation witnessed […]
By ALAN SMASON For the third year in a row the National Yiddish Theatre Folksbeine (NYTF) is presenting a major theatrical production in Yiddish at the Museum of Jewish Heritage in New York City. This time out, it is “Amerike – The Golden Land,” a piece that was first performed 35 years ago as an […]
By ALAN SMASON, Theatre Critic, WYES-TV (“Steppin’ Out“) Tennessee Williams was in many ways a man before his time and a man deeply concerned about his place in American theatre history. Following the successes of The Glass Menagerie, A Streetcar Named Desire and The Rose Tattoo, Williams turned his attention to a project that dealt […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) With the final production of its 50th anniversary year, Summer Lyric Theatre (SLT) at Tulane has pulled off an amazing series under the helm of artistic director Michael McKelvey and “Gypsy” is the cherry on top of its sweet confectionary of Broadway classics old and new. But […]
By ALAN SMASON, Theatre Critic, WYES-TV (“Steppin’ Out“) Near the beginning of Indecent, the one-act ensemble piece by Paula Vogel, which netted director Rebecca Taichman her first Tony Award, the character of Lemml, the Stage Manager (Richard Topol), peers into the darkness enveloping the theater audience and announces “Every night we tell the same story.” […]