By LOU HARRY After operating from a converted church for decades, Indiana’s most prominent professional producer of contemporary work, the Phoenix Theatre, opened its new two-stage space with Howard Ashman and Alan Menken’s God Bless You, Mr. Rosewater. While the choice doesn’t exactly fit the Phoenix’s rep for presenting new work (the musical first saw […]
By ROY BERKO George Bernard Shaw’s views on religion may be summarized by his statement, “People believe anything that amuses them, gratifies them, or promises some sort of profit.” He showcased his anti-organized religion and doubt of God in his The Adventures of a Black Girl in Her Search for God,” a novella he wrote […]
By ROY BERKO Stephen Karam is one of a new breed of contemporary American playwrights. His The Humans, the Tony Award-winning Best Play of 2016 (and a Pulitzer Prize finalist) is now on stage at the Connor Palace Theatre. The young Lebanese-Irish-American writes plays about the human experience that should not be as funny as they […]
By ROY BERKO Noted for her witty and compassionate prose, Paula Vogel, the Pulitzer Prize-winning author of The Oldest Profession, is now on stage at convergence-continuum. She writes with warmth about subjects which are often the object of repulsion. In probably her best play, How I Learned to Drive, which was recently staged at Cleveland Play […]
By AARON KRAUSE CINCINNATI — Theater and history buffs have a rare chance in Cincinnati to witness Shakespeare like they’ve never experienced in school. Chances are, you never studied Othello in the modern, painfully-timely manner Cincinnati Shakespeare Company (CSC) is presenting the Bard’s tragedy. Folks also might not have learned about the first African American […]
By ROY BERKO In December, 1968, about 50 Lorain County Community College students flew to New York. Some in the clean-scrubbed conservative group, coming from a campus void of political turmoil, had never traveled as far afield as downtown Cleveland. The first play they saw on their Big Apple adventure was Hair: The American Tribal […]
By ROY BERKO When Sister Rosetta Tharpe’s name appeared on the Rock and Roll Hall of Fame ballot, there were many who thought, Sister who? Little did those not familiar with the history of the genre, know that “she was wailing on the guitar before Chuck Berry, shouting call and response before Little Richard, and […]
By ROY BERKO An unnamed woman (Anjanette Hall), in an Air Force jump suit, confidently stalks the stage telling us, with eyes flashing and intense verbalizations, the thrill she gets from being in the blue, flying missions over enemy territory, and getting together after her missions with the guys to “throw back a few.” This […]
By ANNE SIEGEL George Orwell’s “Animal Farm” is among the most famous political novels of all time, and Ian Wooldridge’s adaptation is a masterful work that smartly takes the book’s themes from page to stage. In the Milwaukee Repertory Theater’s intriguing production running Jan. 9 – Feb. 11, a cast of eight actors portray the […]
By ANNE SIEGEL Broadway isn’t the only place currently producing Williams’ early play, The Glass Menagerie. The Milwaukee Repertory Theatre just opened an excellent production in the largest of its three theaters, the Quadracci Powerhouse Theater. The theater got part of its name – Powerhouse – from the fact that the complex resides in a […]