By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) There is a point in the resolution of Garson Kanin’s Born Yesterday when the character of Paul Verrall blurts out “I know you. I’ve seen your kind down here for years. What the hell do you guys want, anyway? You’ve got all the oil and all the lumber […]
By AARON KRAUSE SPRING GREEN, Wisconsin — It’s tucked away amid 110 acres of hilly woods and meadows near this town of about 1,600 in southwest Wisconsin. Indeed, you could easily miss it if you’re not on the lookout for the sign. It points a patron in the direction of the renowned destination. But there’s no […]
By ANNE SIEGEL American Players Theatre, located in rural Spring Green, Wisconsin, has added Ionesco’s rarely-performed 1962 absurdist comedy, Exit the King, to its current line-up. Playing alongside a half-dozen other shows (that focus on Restoration humor and follies, Shakespeare’s timeless themes and a hilarious rendition of Garson Kanin’s Born Yesterday), Exit the King may […]
By LOU HARRY After operating from a converted church for decades, Indiana’s most prominent professional producer of contemporary work, the Phoenix Theatre, opened its new two-stage space with Howard Ashman and Alan Menken’s God Bless You, Mr. Rosewater. While the choice doesn’t exactly fit the Phoenix’s rep for presenting new work (the musical first saw […]
By ROY BERKO George Bernard Shaw’s views on religion may be summarized by his statement, “People believe anything that amuses them, gratifies them, or promises some sort of profit.” He showcased his anti-organized religion and doubt of God in his The Adventures of a Black Girl in Her Search for God,” a novella he wrote […]
By ROY BERKO Stephen Karam is one of a new breed of contemporary American playwrights. His The Humans, the Tony Award-winning Best Play of 2016 (and a Pulitzer Prize finalist) is now on stage at the Connor Palace Theatre. The young Lebanese-Irish-American writes plays about the human experience that should not be as funny as they […]
By ROY BERKO Noted for her witty and compassionate prose, Paula Vogel, the Pulitzer Prize-winning author of The Oldest Profession, is now on stage at convergence-continuum. She writes with warmth about subjects which are often the object of repulsion. In probably her best play, How I Learned to Drive, which was recently staged at Cleveland Play […]
By AARON KRAUSE CINCINNATI — Theater and history buffs have a rare chance in Cincinnati to witness Shakespeare like they’ve never experienced in school. Chances are, you never studied Othello in the modern, painfully-timely manner Cincinnati Shakespeare Company (CSC) is presenting the Bard’s tragedy. Folks also might not have learned about the first African American […]
By ROY BERKO In December, 1968, about 50 Lorain County Community College students flew to New York. Some in the clean-scrubbed conservative group, coming from a campus void of political turmoil, had never traveled as far afield as downtown Cleveland. The first play they saw on their Big Apple adventure was Hair: The American Tribal […]
By ROY BERKO When Sister Rosetta Tharpe’s name appeared on the Rock and Roll Hall of Fame ballot, there were many who thought, Sister who? Little did those not familiar with the history of the genre, know that “she was wailing on the guitar before Chuck Berry, shouting call and response before Little Richard, and […]