By ALAN SMASON For her first one-woman show in several years, Dorian Rush has opted to mount a most unusual presentation with producers Jonathan Mares Productions and the Jefferson Performing Arts Society. It’s all about the blues, but viewed strictly from the distaff side – 100 Years of Women in Blues. Supported by pianist and […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) There is little doubt when Thomas Lanier Williams put pen to paper and drafted what became The Glass Menagerie that he was pouring out the poetic words that traced his own tortuous upbringing. Under the guise of his nom de plume, Tennessee Williams, his “memory play” was […]
By ALAN SMASON, Theatre Critic, WYES-TV (“Steppin’ Out“) The Rivertown Theaters for the Performing Arts has typically pulled out all of the stops for their summer show every year. Last year they had Disney’s “Beauty and the Beast,” while in its most previous years the company produced “Disney’s ‘The Little Mermaid’” last year, a staged […]
By ALAN SMASON For 52 years, Summer Lyric Theatre at Tulane has presented quality productions that can equal or excel what one would expect to find in a Broadway or national touring show. The amazing thing is that they manage to put on three quality presentations every summer at whirlwind speed each with a full […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) In 2013, Joyce Pulitzer realized a dream she had begun some 15 years previous when she and her friend David Seelig first set pen to paper to begin writing Freedom, a piece intended to celebrate America’s diversity as a welcoming haven for immigrants of all stripes. Her […]
By AARON KRAUSE WILTON MANORS, FL. — The senator proclaims his vision for America in a sunny, hopeful voice. However, the audience’s reaction is shades darker. In fact, the groans sound like die-hard fans of a beloved home team reacting with pavlovian jeers as soon as they see the arch-nemesis’ uniforms. Of course, the senator […]
![Doubt 2[1]](http://www.theatrecriticism.com/wp-content/uploads/2019/06/Doubt-21-1024x453-300x225.jpg)
By AARON KRAUSE CORAL GABLES, Fla. — No doubt, sparks fly quickly and furiously in Actors’ Playhouse at the Miracle Theatre’s combustible, searing, suspenseful, must-witness production of John Patrick Shanley’s explosive drama, Doubt: A Parable. The 2005 Pulitzer Prize and Tony Award-winning play is running through June 9. And we can say, without question, that […]
By AARON KRAUSE WEST PALM BEACH — As anyone familiar with John Guare’s The House of Blue Leaves knows, Hollywood songwriter wannabe Artie Shaughnessy poses a question in one of his songs. Specifically, he wonders, “Where is the devil in Evelyn?” Well, here’s another question – where is the darkness in Palm Beach Dramaworks’ production […]
![Precious Little 2[1]](http://www.theatrecriticism.com/wp-content/uploads/2019/05/Precious-Little-21-1024x446-300x225.jpg)
By AARON KRAUSE FT. LAUDERDALE — Awww, isn’t it cute how the little monkey with sad, puppy-dog eyes is sucking on a pacifier? It’s just precious! Surely, you can’t miss the image on the cover of Thinking Cap Theatre’s program for its current, impressive production of the odd, yet intriguing and relevant play, Precious Little. But […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) Just before every performance of The Pianist of Willesden Lane, the one-woman play based on the book she wrote with Lee Cohen (“The Children of Willesden Lane”), Mona Golabek holds onto a Star of David that hangs from her necklace. As she grasps the golden artifact (which […]