By AARON KRAUSE MIAMI — The woman of the moment rises. She approaches us with purpose, flashes a welcoming smile and waves warmly and enthusiastically to us. Perhaps the suddenly-skyrocketed wattage resulting from her warmth and brightness tempts us to silently hum the opening lyrics to the iconic title song. Of course, that number is “Hello, Dolly!,”…
By AARON KRAUSE NEW YORK, N.Y.– Yes, that really is a live goat on stage. It’s leading its handler toward the audience in the astonishing, breathtaking, visually enthralling, vivacious, but most importantly, healing and life-affirming, current Tony-winning revival of the Lynn Ahrens and Stephen Flaherty musical Once On This Island. In fact, the animal’s owner…
By AARON KRAUSE WILTON MANORS, FL. — A current South Florida co-production of the Pulitzer-Prize-winning musical Next to Normal is nearly next to perfection. The performers earn every tear, sniffle, gasp and laugh. That became clear during the opening night performance Thursday of this heart-shattering, drily humorous, touching production. This co-mounting between Infinite Abyss Productions and Measure…
By AARON KRAUSE CORAL GABLES, Fla. — Creepy, foreboding music leaves a chill in the air at the beginning of GableStage’s practically flawless Southeastern premiere production of The Humans, about a middle-class family gathered for Thanksgiving. Such music that produces slight shivering is usually reserved for films by the likes of Stephen King or directed…
By ALAN SMASON, Theatre Critic, WYES-TV (“Steppin’ Out“) Near the beginning of Indecent, the one-act ensemble piece by Paula Vogel, which netted director Rebecca Taichman her first Tony Award, the character of Lemml, the Stage Manager (Richard Topol), peers into the darkness enveloping the theater audience and announces “Every night we tell the same story.”…
