By ROY BERKO For the last several years more and more attention has been placed on The Black Lives Matter and #MeToo movements, woke language, microaggressions, radical feminism, transgenderism, Critical Race Theory and aggression against Asians. They have become issues for laws, politics, education, media and the arts. After almost two-years of non-live production, the […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) When Bryan Batt steps on the stage of Le Petit Theatre du Carré as the star of the one-man play Dear Mr. Williams, he is literally living two lifetimes, his own and that of revered playwright and poet Tennessee Williams. Developed and workshopped since its inclusion as […]
By ROY BERKO The death penalty carries the inherent risk of executing an innocent person. Since 1973, more than 186 people who had been sentenced to death have been exonerated. Research by the National Academy of Science indicates that about 4.1% of the people currently on death row are likely to be innocent. The Exonerated, now […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) When it was announced that Ricky Graham would be in the director’s chair for Hello, Dolly! at Rivertown Theaters for the Performing Arts several months ago, there was anticipation this could have been one of the best versions of the Jerry Herman classic to ever grace a […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) With its most recent production of God of Carnage, the Jefferson Performing Arts Society has taken the wraps off Yasmina Reza’s controversial work first seen here at Southern Rep in 2011, less than five years after its original premiere in French in December of 2006. This production […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) There are times when a single performance rises above all others within a given production. While these times are rare, when they occur, they are noteworthy. Generally, they signal that the performer in question has achieved a luminary status that will forever mark them as a significant […]
By ANNE SIEGEL (Ashland, OREGON) – Water by the Spoonful is perhaps even more relevant today than when it was staged at the Oregon Shakespeare Festival in 2014. The play initially appeared at the complex’s intimate Thomas Theatre, under the smart direction of Shishir Kurup. It was filmed in front of a live audience. Written […]
By ANNE SIEGEL SPRING GREEN, WI. – This summer, while audiences were flocking to the large, outdoor theater to view Shakespeare under the stars, another small miracle was taking place inside the intimate (200-seat) Touchstone Theatre. American Players Theatre (APT), which operates these two venues, welcomed far smaller crowds to see An Iliad. The APT […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) When the notices first went out proclaiming an upcoming production of Andrew Lloyd Webber’s Sunset Boulevard at Slidell’s Cutting Edge Theater, there might well have been some doubt as to whether the upstart company could properly carry it off. Based on the classic Oscar-winning Billy Wilder film, the […]
By ALAN SMASON, WYES-TV Theatre Critic (“Steppin’ Out“) Rob Ulin must be a very happy man. He obviously has been saying his prayers and living a proper and pious life. That must be the case because his play Judgment Day recently enjoyed a filmed reading as a benefit for the Barrington Stage Company recently and three […]