By ROY BERKO Noted for her witty and compassionate prose, Paula Vogel, the Pulitzer Prize-winning author of The Oldest Profession, is now on stage at convergence-continuum. She writes with warmth about subjects which are often the object of repulsion. In probably her best play, How I Learned to Drive, which was recently staged at Cleveland Play […]
By AARON KRAUSE CINCINNATI — Theater and history buffs have a rare chance in Cincinnati to witness Shakespeare like they’ve never experienced in school. Chances are, you never studied Othello in the modern, painfully-timely manner Cincinnati Shakespeare Company (CSC) is presenting the Bard’s tragedy. Folks also might not have learned about the first African American […]
By ROY BERKO In December, 1968, about 50 Lorain County Community College students flew to New York. Some in the clean-scrubbed conservative group, coming from a campus void of political turmoil, had never traveled as far afield as downtown Cleveland. The first play they saw on their Big Apple adventure was Hair: The American Tribal […]
By ROY BERKO When Sister Rosetta Tharpe’s name appeared on the Rock and Roll Hall of Fame ballot, there were many who thought, Sister who? Little did those not familiar with the history of the genre, know that “she was wailing on the guitar before Chuck Berry, shouting call and response before Little Richard, and […]
By ROY BERKO An unnamed woman (Anjanette Hall), in an Air Force jump suit, confidently stalks the stage telling us, with eyes flashing and intense verbalizations, the thrill she gets from being in the blue, flying missions over enemy territory, and getting together after her missions with the guys to “throw back a few.” This […]
By ANNE SIEGEL George Orwell’s “Animal Farm” is among the most famous political novels of all time, and Ian Wooldridge’s adaptation is a masterful work that smartly takes the book’s themes from page to stage. In the Milwaukee Repertory Theater’s intriguing production running Jan. 9 – Feb. 11, a cast of eight actors portray the […]
By ANNE SIEGEL Broadway isn’t the only place currently producing Williams’ early play, The Glass Menagerie. The Milwaukee Repertory Theatre just opened an excellent production in the largest of its three theaters, the Quadracci Powerhouse Theater. The theater got part of its name – Powerhouse – from the fact that the complex resides in a […]